By Jan Greenberg
This quantity recounts the lifetime of the 20th-century African-American university artist who used his Southern adolescence, big apple urban, jazz and Paris to steer his daring and significant paintings. Romare Bearden defined his approach of creating paintings as "putting anything over whatever else". Experimenting with textile, photos, colored papers and different fabrics, Bearden constructed his personal variety in university, that is firmly rooted in African-American tradition.
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Additional resources for Romare Bearden: Collage of Memories
Kind, artworks, his his have been preserved at the Romare Bearden Foundation was fortunate enough I their Sheila Rohan, York City, their this remembers him as a one of her eight daughters. Although the Beardens who used to ride to visit. His niece, the artist Diedra Harris-Kelley, said She described books by. Hines records invariably playing literature and spent Canal Street apartment and studio were always open, with a continuous flow of people stopping Earl I he reminded her of a college professor.
Photos of oversized heads, as seen viewer. in He named Cotton and Mysteries, seem to project themselves this right out to the powerful new series Projections. 33 When the photomontages were exhibited, the series After years of experimenting, Romie finally had felt right, that ment the street expressed what he needed to history and culture scenes raw and voice to those who had of say. people that he fearful, but made felt He hailed as a great success. a breakthrough, finding a style that Through his collages, he would docu- Some had long been ignored.
His parents in were Richard Howard and Bessye Johnson Bearden. 1914-15 Bearden 1920-21 family Lives with his moves to Harlem New in York City. grandmother, Cattie Bearden, 1929 Graduates from high school 1935 Graduates from New in Pittsburgh, Pennsylvania. Pittsburgh. S. degree in education. Has cartoons published in various magazines. S. Army. 1945 Honorably discharged from 1946-48 Two Admitted the army as a sergeant Samuel M. Kootz Gallery Exhibit at sold to the Museum of Modern solo exhibitions to Paris 1951 Returns to New and in Art, New in New York New York.