By Erasmus, Desiderius; Grafton, Anthony; Hudson, Hoyt Hopewell
Desiderius Erasmus (1466-1536) was once a Dutch humanist, pupil, and social critic, and some of the most vital figures of the Renaissance. The compliment of Folly might be his best-known paintings. initially written to amuse his good friend Sir Thomas extra, this satiric social gathering of delight, adolescence, and intoxication irreverently pokes enjoyable on the pieties of theologians and the foibles that make us all human, whereas finally reaffirming the price of Christian beliefs. No different booklet screens really so thoroughly the transition from the medieval to the fashionable global, and Erasmus's wit, knowledge, and important spirit have misplaced none in their timeliness today.
This Princeton Classics variation of The compliment of Folly incorporates a new foreword by way of Anthony Grafton that offers a vital creation to this iridescent and enduring masterpiece.
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Additional info for Praise of folly
Xl ] A PROBLEM IN READING To make clearer this apparently confused view is. a nice problem in literary interpretation. We may be helped by analyzing another, more familiar, problem in the same field. Consider the farewell speech of Polonius to Laertes in Hamlet-the "few precepts" which the young man going away to the University is to remember. " And so on, up to this pitch: This above all: to thine own self be true; And it must follow, as the night the day, Thou canst not then be false to any man.
On the title-page of this work by an ancient scoffer it was recorded that the translator was nuper sacri theologiae laurea decorato, that is, Erasmus had "recently been honored with the degree of Doctor of Sacred Theology" by the University of Turin. Later Erasmus was to publish translations of seven more pieces by Lucian, and to write his own colloquies, some of which follow closely the models set by the old Syrian. But enough has been said, though more is available, to prove him a Lucianist. Some years after he had published The Praise of Folly he wrote to a friend that it was Thomas More's fondness for wit and fun, "and especially for Lucian," that prompted him to write this book.
One's faith may indeed be so real, so present, and so homely that one jests with and about it, as if it were a friend or brother. Erasmus [ li ] THE FOLLY OF ERASMUS believed that Christianity could be at home in a world of culture as well as in a religious community or among fishers and mechanics. On the other hand, the man of culture would be a fool if his cultivation carried him to the point where he lost touch with the simplicities of the Gospel which are akin to the simplicities of the unlettered human heart, even to those of dumb animals.