By James Land Jones
The author's principal goal is to teach that the poetry of Keats and Yeats is trained by way of a collection of assumptions, a style of apprehension, which marks it as a definite type of poetry: Romantic poetry characterised particularly by way of the weather of mythic pondering analyzed by way of Cassirer and Eliade.
Introduction: The purpose for Myth
Chapter One: Soul Making
I "Curious Conscience"
II "My robust identification, My actual Self
III "A Greeting of the Spirit"
Chapter : solidarity of Being
I "Energy" and "Essence"
II "Beauty in All Things"
Chapter 3: The great Idea
I "From Feathers to Iron"
II "An Interchange of Favors"
III "Time Annihilate"
IV "The Finer Tone"
Chapter 4: the good Moment
I "There all of the Gyres Converge in One"
II "Fellowship Divine"
Chapter 5: Melancholy's Sovran Shrine
I "The beaches of Memory"
II the 2 Hyperions
Conclusion: Adam's Dream
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